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Kaori Kobayashi Piano Recital ?Tenderness at Night 2?

Kaori Kobayashi Piano Recital ?Tenderness at Night 2?


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Kaori Kobayashi Piano Recital

-Tender is The Night-

Venue : Tokyo Opera City Recital Hall

Tokyo Opera City Recital Hall

All seats unreserved 3,500 yen (additional 500 yen for same-day tickets)

Sponsored by: Japan Federation of Musicians, Agency for Cultural Affairs Artists Overseas Trainees Association


S. Rachmaninov: Variations on a Theme of Corelli, Op.42
S. Rachmaninov : Variations on a Theme of Corelli op.42

L. v. Beethoven: Sonata No.31 in A flat major, Op.110
L. v. Beethoven : Sonate für Klavier Nr.31 As-dur op.110


F. Chopin:

Four Mazurkas, Op.33
4 Mazurka op.33

Three Mazurkas, Op.50
3 Mazurka op.50

Two Nocturnes Op.48
2 Nocturnes op.48

Barcarolle in F sharp major, Op.60
Barcarolle op.60


Kaori Kobayashi, piano
Graduated from Toho Gakuen University Piano Course. Completed master's course in soloist course at Salzburg Mozarteum Conservatory, completed London Royal College of Music Graduate School as an overseas artist trainee of Agency for Cultural Affairs. Studied under Ryoko Mashimo, Josephine Bell, Akiko Teranishi, Christoph Lieske, the late Hans Reigraf, and the late Irina Zalitskaya. Won a silver medal at the Finale Ligure International Competition, and was selected for the Kayabuki Ongakudo Piano Duo Four-Hands Contest.
He began performing while studying abroad, and after performing at the Enren Concert, recitals at St. Martin in the Fields and St. James Piccadilly, the Canterbury Music Festival, and Radio Suisse Romande, he returned to Japan. Her debut recital in 1996 was described as ``finely carved and refined pianism'' (music no tomo).
He has appeared in "FM Recital" and "Cheers Concert" (sponsored by Tokai Television), and has performed Brahms Piano Concerto No. 1 with the Baden-Baden Philharmonic Orchestra. 1999, 01, 03, 04, 06, 07, 09, 10) were all well received. These two polarities are depicted boldly and expressed richly in shadows." I felt that it was a successful expression of Mozart's 'sensory and free' expression." In the music of Chopin, I was able to listen to a wonderful performance in which I was more liberated.” Bringing” (Musica Nova 2010.October issue). While continuing his activities in chamber music and music therapy, in recent years he has also been active as an interpreter.